A produção de subjetividade em Não verás país nenhum

Abstract

In this dissertation, we aimed to investigate and analyze the elements that build and shape the narrative of Ignácio Loyola Brandão, the authoritarian society that Souza lives, protagonist of Não Verás País Nenhum (2012), in order to understand how relationships are built, through which strategies produce subjectivity in individuals, in physical and power spaces. The objective was to analyze the work through the prism of power, investigating the mechanisms and strategies of social coercion through symbols, advertising pieces, geographic structures that imply the identity of the social and individual. The system in which they live, imposed by the scheme, provokes subjectivations in citizens that build a docile, training state, and, therefore, fragmented, torn apart. As a bibliographic framework to support this research on the concepts and analysis of society and the individual and their mutual relationship, we use the authors Michel Foucault, Vigiar e Punir (2014), Ditos e Escritos (2006), Homi K. Bhaba, O local da Cultura (1998), Michel de Certeau, A invenção do Cotidiano (1998), Stuart Hall, A identidade cultural na Pos-modernidade (2006), among other authors. The spaces, time and instruments of power shape the social individual who docilely collaborates with the hierarchy and the norm, the result of the subjectivation manufactured in the subject.