https://repositorio.unimontes.br/handle/123456789/115 2026-04-29T12:15:57Z https://repositorio.unimontes.br/handle/1/2554 Título: A imprensa como agente histórico: a cobertura jornalística dos acontecimentos políticos nas páginas da revista Veja (2002-2006) Autor(es): Dias, Karine Rodrigues Abstract: This study aims to analyze the coverage of political events Brazil between 2002 and 2006 by Veja magazine, trying to understand it as the subject of civil society, which actively participates in the creation of social consensus. These issues will be analyzed from the perspective of thinking about media as a social constituent of reality, which becomes an ideal place for the construction of meanings and interpretations of the present, in which the magazine Veja is taken as a source and object of research. Therefore, we will establish a dialogue with the reflections of Antonio Gramsci who highlighted the role of the press as private apparatus of hegemony, once belonging to the plane of civil society, acts operating in the formation of consensus around a political project that represents the interests of certain groups, either for the maintenance of order or break with the prevailing system of domination. Thus, we understand that the press plays partisan action, and that their communications are not neutral as often proclaims. 2013-03-01T00:00:00Z https://repositorio.unimontes.br/handle/1/2372 Título: Em busca da América: Sem Destino e as representações da contracultura no cinema Autor(es): Soares, Clarissa Rodrigues Abstract: This research investigates how the counterculture of the 1960 supported the renewal process of the representations about the American way of life in the cinema through the films of the called New Hollywood (1967-1980). There were in these films new representations of America, and those were against the idealized model of the "American dream", so advertised by the classic cinema. The film Easy Rider (1969), by Peter Fonda and Dennis Hopper, was chosen as a source. It is a late 1960 cinema milestone, that innovated aesthetically and brought the discourse of contestation and refusal to the capitalist industrial order into the industry itself. In producing a counter narrative based on a whole new way of making films, films such as Easy Rider questioned the representations of America, that had long permeated the imaginary about the country. The film also brought new images that illustrated the country’s great diversity, the ways of life that survived on the fringes of society and the war violence. Consequently spaces were opened to younger directors to produce their own films, besides empowering the discourses of youth that pursued building their own identity. 2019-05-01T00:00:00Z https://repositorio.unimontes.br/handle/1/2371 Título: Pompa e requinte: memória visual do candomblé e da umbanda em Montes Claros Autor(es): Silva, José Vinícius Peres Abstract: This work aims to identify the visual representations of Candomblé and Umbanda in the city of Montes Claros in the 1960s. For this, we use imagery materials present in illustrated magazines, periodicals and in family albums to understand discourses and visions produced on these religions. We highlight how external and internal representations and their process of transformation were manifested that placed these religions as part of folkloric manifestations alongside Christian groups in the city. In this way, these ideas were appropriated by the city's elites to the process of modernization and regionalization that was in force at the time. 2019-01-01T00:00:00Z https://repositorio.unimontes.br/handle/1/2370 Título: Elas fizeram história e a notícia: a entrada de mulheres em rádio e tv em Montes Claros. (1979-1997) Autor(es): Silva, Ana Carolina Ferreira da Abstract: The research focuses on the women's entry into the press in Montes Claros on radio and TV, taking into consideration that the ZYD-7, Radio Sociedade, established in the 1940s, was the only station that existed in Montes Claros in the temporal of this work and at the same time, a television station was inaugurated, TV Montes Claros. This means giving historical visibility to the female occupation in the journalistic work market. Taking into account the role of the press, it is understood that these women occupied privileged places of speech, where important power plays were given and where historically only male names stand out. Therefore, the objective was to analyze the gender relations and inequalities established, as well as the power relations, with the pioneerism of the journalists: Vanda Gonçalves, Rosângela Silveira, Marina Queiroz and Lígia Rocha Tupy. The chosen theme allowed us to observe the mechanisms for the emergence of new social representations, with their productions of new senses in the Montes Claros of the 1980s. For this, the research listened to these four women through the Oral History of Life methodology to understand which paths were covered in order for them to achieve different roles in writing, as they have all been very successful in their careers. The chosen methodology privileges the interviewer's experience, as well as the perception of the research subjects, taking into account the subjectivity of each one, the Discourse Analysis was necessary so that a naive relationship with the testimonies was not established. After all, memory privileges what one wants to emphasize and when stimulated, it re-signifies the past. Methodologies that complement each other well, since the AD leads in question that a discourse will be embedded in a historical context. The concept of gender as a relevant category for the historiographical analysis was essential in this research, since it aided in the problematization of the social and labor relations of these women. From this point of view, it was possible to verify that gender relations defined, hierarchized, and constructed sexual roles, but that in the power games established with the journalists' unprecedented resistance, resistance manifested itself and therefore they occupied important spaces, broke paradigms and opened ways that other women could also practice this profession. A trend in many sectors in the 1980s. 2019-06-01T00:00:00Z