Tradição e modernidade: memórias em conflito na identidade nacional do Japão – uma análise fílmica a partir de Akira (1988)

Abstract

This research aims to analyze how the film Akira presents an apocalyptic, chaotic and dystopian Japan, which at first glance has an impact because it is the opposite of the image promoted by the Japanese since the American occupation (1945-1952). However, it also discusses how the antagonisms between tradition and modernity form an alliance to strengthen the economic sector. The source's production context is located after the events of 1945 in Japan, however, at every point in the film, issues that relate to the events are mentioned. Thus, the purpose of this dissertation is to carry out an analysis of Japanese national identity conflicts. Therefore, our interest is in the production of meaning in the film's images, which present questions about the visual construction pre-established by Japan, as well as the maintenance and control of its memory, manifested by urban chaos.